09 Oct 2017

Hit podcast ‘Dirty John‘, from Los Angeles Times & Wondery, is billed as “a true story about seduction, deception, forgiveness, denial, and ultimately, survival”. It features music from Tracy Bonham’s Masts Of Manhatta album, the track “Devil’s Got Your Boyfriend”.  Released in 2010, Masts Of Manhatta was Tracy’s fourth solo album but her mainstream breakout hit – “Mother Mother” – went to Number 1 in the US Billboard charts in 1996, from her debut album “The Burdens of Being Upright”.

Tracy Bonham’s album “Masts Of Manhatta”, including ‘Devil’s Got Your Boyfriend’ is available on Lojinx here.


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06 Oct 2017

’Wild and Reckless’ is about looking back on the crazy days of youth and wondering how you survived those sketchy times with danger eternally nosing at your heels. And when you look back now there’s this feeling like, I’ll never be as alive as I was then. Reality will never seem that vibrant and embraceable. Whether that’s true or not isn’t important, it’s just a feeling, life’s intractable ability to hoodwink us into seeing the past as a shining corona, even when there’s only darkness at the center.

Read more at Consequence Of Sound and Paste Magazine or add it to your Spotify playlist here.

Pre-order new album, Wild and Reckless, on Lojinx LP, CD & digital HERE.


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15 Sep 2017

If Brit Awards were handed out to Best Kept Secrets or Lamentably Lost Legends, Pugwash wouldn’t be able to move under the weight of their gongs. In the 20 years since the Irish band was formed by Thomas Walsh – an ELO, XTC and Beach Boys nut from Drimnagh, south Dublin – their reputation has grown by stealth and they’ve caught the attention of almost all of Walsh’s musical heroes, but mainstream success has remained frustratingly, tantalisingly just out of reach.

Well if it’s ever going to happen, it’s now, with the release of their seventh studio album Silverlake. It’s not only Thomas’s best body of work to date, but an album which leaves you marvelling at how effortlessly he can conjure up so many heavenly pop gems after all these years.

“I still live in a small house with nine guitars, a Dansette, a telly and a fuckin’ mellotron,” says Walsh. “I collect records and live hand-to-mouth. We’ve made some great records but most of them have gone nowhere.”

Silverlake differs from recent Pugwash albums in one major respect: it’s essentially a collaboration between two men – Thomas and Jason Falkner. (The four-piece who recorded 2011’s Top 20 The Olympus Sound and 2015’s Play This Intimately (As If Among Friends) has now disbanded). As a former member of Jellyfish, respected solo artist, and musician, Falkner – who’s worked with everyone from Paul McCartney to Air – is another underrated artist with a hugely loyal international following. For fans of these two cult heroes (and there are plenty) this promised to be a dream ticket…and it delivers in droves.

Recorded in Falkner’s LA studio earlier this year, Thomas wrote all 11 songs, arranged them, and played acoustic guitar. Jason played everything else (except the strings), sang backing vocals and recorded/produced. The result is a classy pop-rock feast featuring Walsh’s endlessly hooky melodies and Falkner’s unmistakeable sonic footprint.

“I’ve known Jason for twenty years, so I rang him last Christmas and asked him what his next year was looking like,” Thomas reveals. “He said, ‘It’s fuckin’ full up, but if you’re saying to me we can make a record, I’ll make time.’ That was an amazing thing to hear. The minute I heard that I was hooked. I got excited again. Within a week I’d written all the songs.”

Opening with the irresistible single “The Perfect Summer” and closing with the Beach Boys/ELO homage “Autarch”, Silverlake wears its collaborators’ passion for pop perfection on its sleeve which, at the very least, will consolidate Pugwash’s standing in the eyes of those Thomas most admires.

In 2006 Brian Wilson’s manager David Leaf emailed him out of the blue, mentioning Brian loved the band’s recent single “It’s Nice To Be Nice”. “Brian was coming to Dublin to play and wanted to meet me…meet me!!” Thomas recalls. “He came and I met Brian. He said ‘Hey! You’re the “Nice To Be Nice” guy. I said ‘yes’ and he just said, ‘great song’!! I still think it was all a fantastic dream to honest.”

In the meantime, other ‘celebrity’ admirers got in touch, including XTC’s Andy Partridge who briefly signed Pugwash to his Ape label and co-wrote several songs with Walsh (XTC’s Dave Gregory also played guitar on some of the band’s earlier recordings), The Divine Comedy’s Neil Hannon – with whom he made two best-selling Duckworth Lewis Method albums – and Jeff Lynne.

Thomas Walsh (Credit Graham Keogh)

“I arrived home late one night after an Olympus Sound session, knackered, to find a letter from the States,” Thomas recalls. “I nearly dropped when I realised it was from Jeff Lynne. I grew up worshipping ELO – I could tell you how many hairs there are on Jeff Lynne’s arse. He’s my idol. It was such a beautiful letter in which he said a lot of really nice things about Pugwash. He also said… ‘and I really liked the cricket album (ie, the first Duckworth Lewis album), but I didn’t think it featured you enough’. So I rang Neil straight away and said, ‘Neil, Jeff just sent me a fuckin’ letter. He’s slagging you and all in it, it’s brilliant!” After two decades Thomas has little to prove. Despite certain disappointments, he’s received great acclaim from where it counts – his peers and equals, plus Ivor Novello, Choice Music Prize and Meteor Awards nominations, and two Top 40 albums (with The Duckworth Lewis Method). The only way is up!

As Thomas concludes: “Some people have suggested, ‘Oh why don’t you change the sound of your music?’ But…I love the sound of my records! They ask if I would try something different. I could, but you can’t go out there and make a record just to please other people.”

Silverlake by Pugwash will be released by British indie label Lojinx on November 24th, on heavyweight vinyl LP, CD & digital. Lead single The Perfect Summer is out now on ice-cream swirl coloured 7” vinyl and digital.


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