01 Dec 2015

Video directed by David Plunkert, animated by Joyce Hesselberth & David Plunkert. Story direction assisted by David Cowles.

thank you for going back in time
and thwarting my assassin
and while we’re laughing about it
I know you didn’t really do that.
this was a test and you failed.

before you fire I should inform you
one of us is a double
I took the trouble to swap ties
somebody taps you on the shoulder
you don’t know who is your friend

let’s all just take a deep breath
and slowly lower our weapons to the floor
I am alone in the three part folding mirror
on the bathroom door
I am alone in the three part folding mirror
on the bathroom door

everyone take off your disguises
I see you and your brother
dressed as each other this time
so now it appears the double crossers
have been too clever by half

the fox has been outfoxed again
the row of smug expressions
all arrayed around are wiped away so

let’s all just take a deep breath
and slowly lower our weapons to the floor
I am alone in the three part folding mirror
on the bathroom door
I am alone in the three part folding mirror
on the bathroom door
I’m by myself in the three part folding mirror
on the bathroom door


<< lojinx blog
26 Nov 2015

Blitzen Trapper‘s version of American folk song “Man Of Constant Sorrow” is featured in the latest episode of hit US TV series Fargo (Series 2, Episode 6).

It’s a a song that, over the years, has been recorded by the likes of Ginger Baker’s Air Force, with non other than Denny Lane (of Moody Blues & Wings) on lead vocal, and Bob Dylan but is probably best known in recent history from a version recorded for the film “O Brother, Where Art Thou?”, performed by Dan Tyminski and credited as the fictional “Soggy Bottom Boys”.


<< lojinx blog
23 Nov 2015

06 FEB 16 Le Botanique, Brussels (BE)
07 FEB 16 The Hope & Ruin, Brighton (UK)
08 FEB 16 The Lexington, London (UK)
10 FEB 16 Paradiso, Amsterdam (NL) [“Blitzen Trapper plays Neil Young’s Harvest”]
11 FEB 16 C-Mine, Genk (BE)
12 FEB 16 Doornroosje, Nijmegen (NL)
13 FEB 16 Paradiso Noord, Amsterdam (NL)
14 FEB 16 Hafenklang, Hamburg (DE)
15 FEB 16 Pumpehuset, Copenhagen (DK)
16 FEB 16 Atlas, Aarhus (DK)
17 FEB 16 Pustervik, Gothenborg (SE)
18 FEB 16 The Crossroad Club, Oslo (NO)
19 FEB 16 Mejeriet, Lund (SE)
20 FEB 16 Privat Club, Berlin (DE)

Tickets available now at your preferred vendor.


<< lojinx blog
17 Nov 2015

Dial-A-Song 46!! Daylight, directed by Jason Willis. Why? is nearly here!!

so here we are
awake and dreaming
oh don’t look up, there’s nothing there
tilting at tilting things
let’s see what the daylight brings
let’s see what the daylight brings

who needs diamond rings, picture frames, fancy things,
when paperbacks and radios tell the tale?

so nothing’s fair
i’m worse for trying
while your eyes strain to see the air
tilting at tilting things
let’s see what the daylight brings
let’s see what the daylight brings


<< lojinx blog
15 Nov 2015

Glean” is out now, pre-order “Why?“! Stay tuned to Dial-A-Song for a new song & video *every* week in 2015.

UK Tour Dates:


<< lojinx blog
04 Nov 2015

Dial-A-Song 44 is “Elephants”, featuring Danny Weinkauf! A taster from the upcoming album Why? available to pre-order now! Video designed by Alison Cowles, Co-directed by David Cowles and Jeremy Galante.

they’re not the largest mammals
but they’re biggest on the land
so when I say “please step away”
I know you’ll understand

they’ve got two tusks up front for fighting
or digging in the dirt

so you can see how easily
you’d end up getting hurt

get out of the way
get out of the way
the elephants are coming through your town today

they’re great communicators
with waves called infrasound
seismically clear – you’d barely hear
them travel through the ground

and while the cows all stick together
and congregate at home
the bulls go out and walk about
they’d rather be alone

get out of the way
get out of the way
the elephants are coming through your house today


<< lojinx blog
31 Oct 2015

Upon that night, when fairies light
On Cassilis Downans dance,
Or owre the lays, in splendid blaze,
On sprightly coursers prance;
Or for Colean the route is ta’en,
Beneath the moon’s pale beams;
There, up the cove, to stray and rove,
Among the rocks and streams
To sport that night.

Among the bonny winding banks,
Where Doon rins, wimplin’ clear,
Where Bruce ance ruled the martial ranks,
And shook his Carrick spear,
Some merry, friendly, country folks,
Together did convene,
To burn their nits, and pou their stocks,
And haud their Halloween
Fu’ blithe that night.

The lasses feat, and cleanly neat,
Mair braw than when they’re fine;
Their faces blithe, fu’ sweetly kythe,
Hearts leal, and warm, and kin’;
The lads sae trig, wi’ wooer-babs,
Weel knotted on their garten,
Some unco blate, and some wi’ gabs,
Gar lasses’ hearts gang startin’
Whiles fast at night.

Then, first and foremost, through the kail,
Their stocks maun a’ be sought ance;
They steek their een, and graip and wale,
For muckle anes and straught anes.
Poor hav’rel Will fell aff the drift,
And wander’d through the bow-kail,
And pou’t, for want o’ better shift,
A runt was like a sow-tail,
Sae bow’t that night.

Then, staught or crooked, yird or nane,
They roar and cry a’ throu’ther;
The very wee things, todlin’, rin,
Wi’ stocks out owre their shouther;
And gif the custoc’s sweet or sour.
Wi’ joctelegs they taste them;
Syne cozily, aboon the door,
Wi cannie care, they’ve placed them
To lie that night.

The lasses staw frae ‘mang them a’
To pou their stalks of corn:
But Rab slips out, and jinks about,
Behint the muckle thorn:
He grippet Nelly hard and fast;
Loud skirl’d a’ the lasses;
But her tap-pickle maist was lost,
When kitlin’ in the fause-house
Wi’ him that night.

The auld guidwife’s well-hoordit nits,
Are round and round divided,
And monie lads’ and lasses’ fates
Are there that night decided:
Some kindle coothie, side by side,
And burn thegither trimly;
Some start awa, wi’ saucy pride,
And jump out-owre the chimlie
Fu’ high that night.

Jean slips in twa wi’ tentie ee;
Wha ’twas she wadna tell;
But this is Jock, and this is me,
She says in to hersel:
He bleezed owre her, and she owre him,
As they wad never mair part;
Till, fuff! he started up the lum,
And Jean had e’en a sair heart
To see’t that night.

Poor Willie, wi’ his bow-kail runt,
Was brunt wi’ primsie Mallie;
And Mallie, nae doubt, took the drunt,
To be compared to Willie;
Mall’s nit lap out wi’ pridefu’ fling,
And her ain fit it brunt it;
While Willie lap, and swore by jing,
‘Twas just the way he wanted
To be that night.

Nell had the fause-house in her min’,
She pits hersel and Rob in;
In loving bleeze they sweetly join,
Till white in ase they’re sobbin’;
Nell’s heart was dancin’ at the view,
She whisper’d Rob to leuk for’t:
Rob, stowlins, prie’d her bonny mou’,
Fu’ cozie in the neuk for’t,
Unseen that night.

But Merran sat behint their backs,
Her thoughts on Andrew Bell;
She lea’es them gashin’ at their cracks,
And slips out by hersel:
She through the yard the nearest taks,
And to the kiln goes then,
And darklins graipit for the bauks,
And in the blue-clue throws then,
Right fear’t that night.

And aye she win’t, and aye she swat,
I wat she made nae jaukin’,
Till something held within the pat,
Guid Lord! but she was quakin’!
But whether ‘was the deil himsel,
Or whether ’twas a bauk-en’,
Or whether it was Andrew Bell,
She didna wait on talkin’
To spier that night.

Wee Jennie to her grannie says,
“Will ye go wi’ me, grannie?
I’ll eat the apple at the glass
I gat frae Uncle Johnnie:”
She fuff’t her pipe wi’ sic a lunt,
In wrath she was sae vap’rin’,
She notice’t na, an aizle brunt
Her braw new worset apron
Out through that night.

“Ye little skelpie-limmer’s face!
I daur you try sic sportin’,
As seek the foul thief ony place,
For him to spae your fortune.
Nae doubt but ye may get a sight!
Great cause ye hae to fear it;
For mony a ane has gotten a fright,
And lived and died deleeret
On sic a night.

“Ae hairst afore the Sherramoor, –
I mind’t as weel’s yestreen,
I was a gilpey then, I’m sure
I wasna past fifteen;
The simmer had been cauld and wat,
And stuff was unco green;
And aye a rantin’ kirn we gat,
And just on Halloween
It fell that night.

“Our stibble-rig was Rab M’Graen,
A clever sturdy fallow:
His son gat Eppie Sim wi’ wean,
That lived in Achmacalla:
He gat hemp-seed, I mind it weel,
And he made unco light o’t;
But mony a day was by himsel,
He was sae sairly frighted
That very night.”

Then up gat fechtin’ Jamie Fleck,
And he swore by his conscience,
That he could saw hempseed a peck;
For it was a’ but nonsense.
The auld guidman raught down the pock,
And out a hanfu’ gied him;
Syne bade him slip frae ‘mang the folk,
Some time when nae ane see’d him,
And try’t that night.

He marches through amang the stacks,
Though he was something sturtin;
The graip he for a harrow taks.
And haurls it at his curpin;
And every now and then he says,
“Hemp-seed, I saw thee,
And her that is to be my lass,
Come after me, and draw thee
As fast this night.”

He whistled up Lord Lennox’ march
To keep his courage cheery;
Although his hair began to arch,
He was say fley’d and eerie:
Till presently he hears a squeak,
And then a grane and gruntle;
He by his shouther gae a keek,
And tumbled wi’ a wintle
Out-owre that night.

He roar’d a horrid murder shout,
In dreadfu’ desperation!
And young and auld came runnin’ out
To hear the sad narration;
He swore ’twas hilchin Jean M’Craw,
Or crouchie Merran Humphie,
Till, stop! she trotted through them
And wha was it but grumphie
Asteer that night!

Meg fain wad to the barn hae gaen,
To win three wechts o’ naething;
But for to meet the deil her lane,
She pat but little faith in:
She gies the herd a pickle nits,
And two red-cheekit apples,
To watch, while for the barn she sets,
In hopes to see Tam Kipples
That very nicht.

She turns the key wi cannie thraw,
And owre the threshold ventures;
But first on Sawnie gies a ca’
Syne bauldly in she enters:
A ratton rattled up the wa’,
And she cried, Lord, preserve her!
And ran through midden-hole and a’,
And pray’d wi’ zeal and fervour,
Fu’ fast that night;

They hoy’t out Will wi’ sair advice;
They hecht him some fine braw ane;
It chanced the stack he faddom’d thrice
Was timmer-propt for thrawin’;
He taks a swirlie, auld moss-oak,
For some black grousome carlin;
And loot a winze, and drew a stroke,
Till skin in blypes cam haurlin’
Aff’s nieves that night.

A wanton widow Leezie was,
As canty as a kittlin;
But, och! that night amang the shaws,
She got a fearfu’ settlin’!
She through the whins, and by the cairn,
And owre the hill gaed scrievin,
Whare three lairds’ lands met at a burn
To dip her left sark-sleeve in,
Was bent that night.

Whyles owre a linn the burnie plays,
As through the glen it wimpl’t;
Whyles round a rocky scaur it strays;
Whyles in a wiel it dimpl’t;
Whyles glitter’d to the nightly rays,
Wi’ bickering, dancing dazzle;
Whyles cookit underneath the braes,
Below the spreading hazel,
Unseen that night.

Among the brackens, on the brae,
Between her and the moon,
The deil, or else an outler quey,
Gat up and gae a croon:
Poor Leezie’s heart maist lap the hool!
Near lav’rock-height she jumpit;
but mist a fit, and in the pool
Out-owre the lugs she plumpit,
Wi’ a plunge that night.

In order, on the clean hearth-stane,
The luggies three are ranged,
And every time great care is ta’en’,
To see them duly changed:
Auld Uncle John, wha wedlock joys
Sin’ Mar’s year did desire,
Because he gat the toom dish thrice,
He heaved them on the fire
In wrath that night.

Wi’ merry sangs, and friendly cracks,
I wat they didna weary;
And unco tales, and funny jokes,
Their sports were cheap and cheery;
Till butter’d so’ns, wi’ fragrant lunt,
Set a’ their gabs a-steerin’;
Syne, wi’ a social glass o’ strunt,
They parted aff careerin’
Fu’ blythe that night.

(Robert Burns, “Poems, Chiefly in the Scottish Dialect“, 1786)


<< lojinx blog
28 Oct 2015

Dial-A-Song week 43 is “It Said Something”, visuals created by Victor Fitzsimons.

TMBG UK Tour dates 2016!

it just said something, nobody heard it but me
I wasn’t recording, anyway why would I be?
it said something new that wouldn’t come out of me
and I don’t even dream about that kind of thing

that’s not the insane part, the insane part is
first of all it can speak
second of all the thing it said, it’s like it read my mind

it just read my mind now I have to lay down
think things over everything up is down
it just said something, I was sleeping and then
I was awoken, I’ll never sleep again

excavate the book, nobody needs to know why
sell the delusion look it in the eye
speak it in reverse so the babies can see
dress them in silver, set the monkeys free

that’s not the insane part
the insane part is first of all it can speak
second of all the thing it said it’s like it read my mind

it just said something, I was sleeping and then
I was awoken, I’ll never sleep again
it just read my mind now I have to lay down
think things over everything up is down

it just said something, I was sleeping and then
I was awoken, I’ll never sleep again
it just read my mind now I have to lay down
think things over everything up is down


<< lojinx blog